With Parasite's recent sweep of the Oscars, Film Critic Nieve Cassidy feels it's the perfect time to take a look back at Spotlight - one of the few other times the Academy got it right

Before there was Parasite, there was Snowpiercer - and Film Editor Matt Taylor finds Bong Joon Ho's tale of class warfare to be more relevant than ever

Film Editor Matt Taylor is blown away by the blood, brutality and bombast of Revenge, the perfect thriller for the #MeToo era

Digital Editor Holly Pittaway takes a look back at The Kissing Booth, a fun-yet-trashy Netflix Original rom-com that's sure to spice up life in lockdown

To mark 30 years since its Oscar win, Film Editor Matt Taylor decides to seize the day and make his life extraordinary by winding the clock back to the 1989 classic Dead Poets Society

Film Critic Peri Cimen revisits Michael Bay's original Bad Boys, finding joy in the lead performances, but taking issue with Bay's directorial habits

Film Critic Romana Essop looks at John Hughes' landmark 80s rom-com, and finds many problematic elements in it from a modern viewing

Film Critic Zahra Ahmed looks back to Jennifer's Body, how a male gaze distracted from two girls' friendship and Megan Fox's subversively feminist career

For its 40th anniversary, Film Editor Matt Taylor revisits Ridley Scott's Alien, finding it to be a singular masterclass in suspense and horror all these years later

Redbrick Film's coven of writers convene once more on All Hallows' Eve to recommend the best movies to watch at this spooky time of the year

With the release of Terminator: Dark Fate in UK cinemas this week, Redbrick Film take a look back at the highs and lows of the Terminator franchise so far

Television Editor Catrin Osborne reflects on one of her favourite films of all time, all the while trying to separate art from the artist