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Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice
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Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.
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Film Writer Christopher Watts reviews The Creator, finding it a thought-provoking and visually stunning experience.
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Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'
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TV Editor Kylie Clarke reviews You Are So Not Invited To My Bat Mitzvah, finding it a sincere and heartfelt ode to adolescence.
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Gaming Editor Louis Wright finds The Boy and the Heron to be a near perfect exploration of death and memory
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Film Writer Jaiden Griffin reviews Saw X, finding it to be a fitting entry to the franchise, despite it's disappointing conclusion.
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Film Critic Ruby Green praises the dazzling, career-spanning ambition of Taylor Swift's immersive new concert film: The Eras Tour
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Digital Editor Halima Ahad praises Disney's Once Upon a Studio; a joyous film that celebrates the centenary of the iconic studio
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Film Critic Bryony Smith finds A24 and Celine Song's Past Lives to be an authentic and heartfelt take on the romance genre
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Editor-in-Chief Alex Taylor reviews Indiana Jones and the Dial of Destiny, saluting Harrison Ford in his final outing as Dr Jones.
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Film Writer Tom Stone reviews Asteroid City, finding it to be a satisfying synthesis of Anderson's fimography