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  • Theatre Review: Nora: A Doll’s House

    Culture Editor Ruby Kwartz reviews a contemporary adaptation of a Victorian classic, praising it's enlightening reflection on how women's rights have (or haven't) evolved over the past 100 years

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    Digital Editor Vidhi Bhanushali reviews Everybody Wants to be Ronaldo, praising its powerful message and creative plot

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    Social Secretary Cassandra Fong reviews The Rep's production of The Intrusion, praising the surprising humour of this outlandish satire

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    Culture writer Ella Goldwater reviews Wolverhampton Grand Theatre's production of War Horse, praising the show's ground-breaking use of puppeteering and powerful emotional impact

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    Culture writer Ella Goldwater reviews KENREX finding it to be a dynamic and exciting performance that will keep you hooked like a true crime podcast right till the very end!

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    Culture writer Lyra Vincent reviews the RSC's production of Edward II, praising its nuanced handling of character and theme and immersive staging choices

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    Culture writer Heidi Fogden reviews Afropean finding it to capture the complex contradictions that have obscured Europe's relationship with Black identity and transforming them into something bold, clear, and self-assured

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    Culture writer Harshi Modi praises Moira Buffini’s Handbagged as a comedic and touching reflection on British history, while lacking in nuance

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    Culture writer Ellen Campbell reviews I Find Myself, praising the exhibition's presentation of Barbara Steveni's influential role as an artist and social practitioner

  • Interview: Jazz Emu

    Culture writer Liza Glushak sits down with Jazz Emu/Archie Henderson, discussing the background behind his much-loved musical alter ego and the joys of live performance

  • Book Review: Normal People by Sally Rooney

    News Editor Tamara Greatrix reviews Sally Rooney's bestselling novel Normal People, praising Rooney's complex and illuminating use of the coming of age narrative

  • Ballet Review: Sir David Bintley’s Cinderella

    Culture Writer Harshi Modi reviews Sir David Bintley’s Cinderella, a dazzling ballet brought to life by stunning choreography, exquisite costumes, and Prokofiev’s enchanting score, making for a truly magical evening at the Birmingham Hippodrome

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