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  • Live Review: Pulp

    Music Editor Alfie Warner reviews the British rock legend Pulp, praising the band's undying performative flair almost fifty years later

  • Redbrick Meets: Jasmine Rodgers of bôa

    Music Editor Alfie Warner and Deputy Editor Jennifer Sawitzki interview Jasmine Rodgers of bôa, discussing their new album 'Whiplash', and the band's revival

  • Redbrick Meets: Twayn

    Digital Editor Archie Marks sits down with Grace and Hannah, whose musical duo – Twayn – is set to play at ValeFest this year

  • Redbrick Meets: The Speakers

    Deputy Editor Lauren Henry interviews The Speakers, discussing how the band started and their musical plans for the future

  • Live Review: Bradley Simpson

    Music Critic Maya Bernstein reviews Bradley Simpson's live show in Birmingham, part of the UK leg of his The Panic Years tour

  • A Beginner’s Guide to FLETCHER

    Music Critic Cassandra Fong provides an in-depth guide to FLETCHER's music

  • A Beginner’s Guide to Hayley Kiyoko

    Music Critic Cassandra Fong guides us through Hayley Kiyoko's discography

  • Single Review: Halsey, Amy Lee – Hand That Feeds

    Music Critic Cassandra Fong reviews Halsey and Amy Lee's single, Hand That Feeds, from the soundtrack of the film Ballerina

  • Live Review: KAYTRANADA

    Music Critic Soliyana Pellicer Alemayehu reviews KAYTRANADA's live show for his latest album, TIMELESS

  • Live Review: Primal Scream

    Music Critic Jack Horlock shares his reflections on Primal Scream's live show in Birmingham while touring their new album, Come Ahead

  • Live Review: Supergrass

    Deputy Editor Hannah Gadd reviews Supergrass at the O2 Academy in Birmingham, applauding the band's impressive musicality

  • Single Review: Lana Del Rey – Henry, come on

    Music Critic Jasmine Davies reviews Lana Del Rey's latest single, 'Henry, come on'

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