For a debut, Midnight Fuckboys have stormed out the gate and swung for the fences with goon-fuelled voltage that marks them as talent to watch, Film Editor Rhys Lloyd-Jones writes

Music Writer Bethany Carter speaks to the Birmingham Music Label Die Das Der about their lockdown fundraiser, Without Music, We're Nothing

Music Editor Gemma Elgar believes I Can Feel You Forgetting Me to be the strongest Neon Trees album to date, dealing with themes of love and loss through the emotional aftermath of such events

Music Critic Sammy Andrews takes a look at the romantic new single from James Bay, saying it is packed full of energy and passion

Travel Editor Catrin Jackson lays out the details of the Virgin Money Unity Arena and what this could mean for the future of concerts in a post-pandemic world

Fontaines D.C.'s sophomore album A Hero’s Death should ultimately be viewed as a successful, if slightly patchy, portrait of a band refusing to stay rooted to a singular musical landscape, Music Critic Cameron Milner reviews

Music Critic Sammy Andrews argues that Taylor Swift's unexpected new album shows an artist unafraid to experiment and look inward to create some of her best work

Music Critic Ellie Harris reviews YUNGBLUD'S new single and raves about this gender defying punk rock tune

Music Writer Bethany Carter takes a look at Nothing But Thieve's newest single and finds it a delightful slice of 2010's indie throwback, sure to please fans

Deputy Digital Editor Dylan Lucas reviews and details the painstakingly chosen top five tracks that have shaped his life the most

Music Critic Anya Logue reviews Maisie Peters' latest single, an upbeat song to help us dance along to heartbreak

The new single from Pillow Queens is a promising addition to the Dublin band's discography, boding well for the album to come, Sarah Mawson writes