-
Culture Writer Heidi Fogden debuts our new feature In Defence of Non-fiction, praising Svetlana Alexievich's use of interviews in Second-Hand Time
-
Culture writer Kanchalee Wiphupong provides insight into the traditional Thai festival Loy Krathong, reflecting on it's offerings of personal renewal, strengthening of community, and honouring of the natural environment
-
Culture editor Ruby Kwartz visits MAC's exhibition Waste Age - What Design Can Do, praising the creative methods used to reconsider our relationship with waste and the sustainable manner in which the exhibition was curated
-
Culture Editor Simran Thumber reviews the Grand Theatre's Beauty and the Beast, finding it to be the perfect treat for all the family this Christmas season!
-
TV editor Jasmine Davies reviews The Glass Castle for the first article in Redbrick Culture's 'In Defence of Non-Fiction' feature, praising the novel's deep and honest exploration of difficult family issues, noting how it helped her negotiate her grief
-
Culture writer Archie Marks reviews Curtis Garner’s debut novel, Isaac, a queer quasi-romance with themes of masculinity and coming-of-age
-
News Writer Julia Cawele discusses the exciting impacts of the reopening of The Birmingham Museum and Art Gallery
-
Culture writer Harshi Modi reviews Rotten, finding it to be a fast-paced and enticing comedy-drama filled with lots of twists that will keep you at the edge of your seat
-
Culture writer Louisa Pickard reviews the RSC's production of The Red Shoes, praising the magical staging of the dark fairy-tale and assessing it's commentary on contemporary society
-
Culture writer Jen Sawitzki reviews Bluevolution, finding it to be an entertaining and joyful performance that marks the Blue Man Group's return to the UK after 15 years
-
Culture writers spotlight influential black artists and creatives for Black History Month
-
Culture writer Izzy Lee reviews National Theatre Live's broadcast of Prima Facie, highlighting Jodie Comer’s electric performance within the dynamic one-woman show, and praising its powerful illumination of problems within the legal treatment of sexual assault