Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals

Culture writer Cassandra Fong reviews A Kiss for the Absolute, exploring how Shūzō Takiguchi’s surreal, mythology-infused poetry defies convention in an intimate and disorienting collection

Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy

Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance

Culture writer James Wardle reviews Albert Camus' absurdist classic The Happy Death, praising the disordered and eclectic narrative and refreshing changes in narrative style

Editor-in-Chief Ash Sutton reviews Wolverhampton Grand Theatre's production of Dear Evan Hansen, finding it to be a powerful rendition of the award-winning Broadway and West End musical

TV Editor Jasmine Davies reviews Charlie and the Chocolate Factory, evaluating that while it was a fun-filled musical, it lacked the magic of the original story

Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience

Culture Editor Ruby Kwartz reviews a contemporary adaptation of a Victorian classic, praising it's enlightening reflection on how women's rights have (or haven't) evolved over the past 100 years

Digital Editor Vidhi Bhanushali reviews Everybody Wants to be Ronaldo, praising its powerful message and creative plot

Social Secretary Cassandra Fong reviews The Rep's production of The Intrusion, praising the surprising humour of this outlandish satire

Culture writer Ella Goldwater reviews Wolverhampton Grand Theatre's production of War Horse, praising the show's ground-breaking use of puppeteering and powerful emotional impact