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Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals
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Culture writer Cassandra Fong reviews A Kiss for the Absolute, exploring how Shūzō Takiguchi’s surreal, mythology-infused poetry defies convention in an intimate and disorienting collection
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Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy
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Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance
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Culture writer James Wardle reviews Albert Camus' absurdist classic The Happy Death, praising the disordered and eclectic narrative and refreshing changes in narrative style
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Editor-in-Chief Ash Sutton reviews Wolverhampton Grand Theatre's production of Dear Evan Hansen, finding it to be a powerful rendition of the award-winning Broadway and West End musical
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TV Editor Jasmine Davies reviews Charlie and the Chocolate Factory, evaluating that while it was a fun-filled musical, it lacked the magic of the original story
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Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience
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Culture Editor Ruby Kwartz reviews a contemporary adaptation of a Victorian classic, praising it's enlightening reflection on how women's rights have (or haven't) evolved over the past 100 years
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Digital Editor Vidhi Bhanushali reviews Everybody Wants to be Ronaldo, praising its powerful message and creative plot
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Social Secretary Cassandra Fong reviews The Rep's production of The Intrusion, praising the surprising humour of this outlandish satire
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Culture writer Ella Goldwater reviews Wolverhampton Grand Theatre's production of War Horse, praising the show's ground-breaking use of puppeteering and powerful emotional impact