-
Culture Writer Makayla Taylor reviews The Mousetrap, praising the dynamic cast performances and effective sound, lighting, and set design
-
Culture Writer Hannah Dalgliesh reviews the Young Rep's production of Wuthering Heights, praising the cast performances in spite of a hit-and-miss script
-
Culture Editor Ilina Jha reviews the smash-hit musical Hamilton, praising the dramatic and musical abilities of the cast and impressive production design
-
Culture Writer Megan Hughes reviews Kyoto, praising the immersive set design and cast performances in this dramatic story of the Kyoto Protocol
-
Sport Editor Lucy Parry discusses the inaccessibility of London's West End theatres and calls for changes to be made to accommodate all theatregoers
-
Editor-in-Chief, Alex Taylor, meets Danny Robins in his dressing room (with a spooky flickering light) before his Birmingham show to discuss all things Uncanny.
-
Gaming Editor Kitty Grant reviews The Wizard of Oz, praising the cast performances but finding the production to be disappointing overall
-
Culture Writer Hannah Dalgliesh reviews the RSC's latest production of The Merry Wives of Windsor, praising the strong cast and ambitious set design
-
Culture Editor Ilina Jha reviews the Crescent Theatre's production of Consent, praising the ancient Greek influences in this modern revenge tragedy
-
Culture Writer Heidi Downing reviews Tricera Collective's Allotment finding it to be a heartwarming, character-driven production
-
Culture Writer Eve Hutchinson reviews To Move In Time, praising the monologue's exploration of complex themes and Tyrone Huggins's solo performance
-
Culture Editor Ilina Jha and Culture Writer Hannah Dalgliesh review Come From Away, praising the cast and musical performances in this moving true story