Redbrick's David Evans breaks down the typically mind-bending annual out-takes release from Unknown Mortal Orchestra
Written by David Evans on 16th December 2018
Music writer Fred Clark discusses the need for the return of Sleaford Mods in today's political climate
Written by Fred Clark on 13th December 2018
Aviary, the latest effort from musical artisan Julia Holter, is as gorgeous as it is challenging, Redbrick Music Writer Alexander Brooks details
Written by Alexander Brooks on 3rd December 2018
Music Writer Andrew Pollard is not impressed by Pale Waves' uninspiring debut, a record that, according to him, fails to escape melodramatic mediocrity
Written by Andrew C Pollard on 14th November 2018
Richard D. James delivers a knotty, cerebral and thrilling late-career gem on his latest EP under the Aphex Twin moniker, Harry Croxford reviews
Written by Harry Croxford on 2nd November 2018
Music Writer Olivia Platten tells us about Khalid's latest EP 'Suncity', an unusual project that's sprawling in style, though consistent in its quality
Written by Olivia Platten on 31st October 2018
Boston Manor's newly released sophomore record is a thrilling, distinct and eclectic triumph, Redbrick writer Jamie Fowler details
Written by Jamie Fowler on 28th October 2018
Book of Bad Decisions veers between absurdist and political lyrics, but shouldn’t put off any fans of Clutch’s previous efforts, writes Matt North
Written by Matt North on 19th October 2018
Hozier’s long-awaited EP is a soulful testimony of freedom, reviews Redbrick's Frankie Rhodes
Written by Frankierhodes on 18th October 2018
Following a tumultuous year of highs and lows, Music writer Kieren Williams argues Brockhampton's latest record is their most stylistically accomplished yet
Written by Kieren Williams on 18th October 2018
Music writer Christian Nasillo talks us through the spacious and subtle stylistic departure Hippo Campus' latest record embarks upon
Written by Christian Nasillo on 17th October 2018
James Rodker reviews Yves Tumor's latest record, a shapeless, fluid soundscape that seamlessly meanders from the beatific to the disturbing
Written by James Rodker on 15th October 2018
