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Music Critic Deyna Grimshaw reviews the light and shade in We Need A Little Christmas, the new album from A capella group Pentatonix, explaining what sets it apart from other Christmas albums
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Music Critic Megan Lee reviews WRONG GENERATION, Fever 333's powerful response to the Black Lives Matter movement
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Music Critic Lorcan Drury explores how Kylie managed to put the ‘K’ in disko and a smile on every listener’s face
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POST HUMAN: SURVIVAL HORROR seems to stick to Bring Me The Horizon’s roots as a band, whilst branching out into some more experimental forms at times, Music Critic Ellie Harris reviews
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The Toronto pop-punk band's follow up EP builds upon previous work, inserting cathartic, pandemic pessimism, Music Critic Sarah Mawson writes
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Although inferior to his previous albums, Mouth Dreams by Neil Cicierega creates new experiences out of the familiar, Film Editor Samuel Zucca reviews
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Elvis Costello's new album is a scatter gun of styles united by the central theme of the movement of time in contrast to the timeless nature of Costello's music Music Editor Robbie Hawken writes
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Dark, brutal and terrifying in equal measure, Music Critic Ben Forsdick reviews experimental hip hop trio's killer return to horrorcore
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Music Critic Emily Wallace reviews Ashton Irwin's first solo album which is a deeply personal record that features an uplifting message of hope to comfort listeners
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Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues
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Sufjan Steven's newest album, a huge 80 minute record, demonstrates the songwriter's intricate instrumental skills leading to an enjoyable and pleasing listen argues Music Critic Ben Forsdick
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Music Critic Samuel Fisher reviews mini-album, Always In My Head by APRE, describing it as the record that will carry you through lockdown and the winter ahead