Redbrick's Frankie Stott unpacks Blood Orange's most recent and complex album
Written by Frankie Stott on 21st September 2018
Tirzah's debut album is an honest and beautifully bold declaration of human emotion, James Rodker reviews
Written by James Rodker on 18th September 2018
Kat Smith discusses why Palo Santo, the long-awaited sophomore album from Years & Years, deserves five stars
Written by Kat Smith on 19th July 2018
The Now Now is a slower, more simplified work from Gorillaz, as Imogen Mellor argues that it fails to deliver on energy and experimentation
Written by Imogen Mellor on 12th July 2018
Nothing Is Still is an immersive ambient project, and represents a drastic change from Leon Vynehall’s previous work, writes Music editor Harry Hetherington
Written by Harry Hetherington on 6th July 2018
In the wake of Beyoncé and Jay-Z's widely public marital issues, an excellent collaborative record comes alongside their revitalisation, Digital Editor Jonny Isaacs argues
Written by Jonny Isaacs on 5th July 2018
Redbrick's Matt Hooper divulges exactly how Buddy Guy's new album manages to toe the line between tradition and innovation
Written by Matt Hooper on 26th June 2018
Matt Taylor reviews Snow Patrol's most recent album, summing it up as frankly disappointing
Written by Matt Taylor on 22nd June 2018
KIDS SEE GHOSTS , the joint project from Kanye West and Kid Cudi, is the psychedelic tour de force that both artists desperately needed, Music Editor Kieran Read argues
Written by Kieran Read on 16th June 2018
More personal and uncut than we've ever seen before, Kieren Williams believes Kanye West's latest record to be yet another important addition to his legacy
Written by Kieren Williams on 14th June 2018
Arctic Monkey's divisive comeback record swaps out anthemic choruses and guitar hooks for conceptual ambition and left-field instrumentation, earning a rave review from Music critic Luke Wheeler
Written by Music on 20th May 2018
Peace live up to their name on their latest release, an album that sacrifices hit singles in favour of a more delicate approach that is equally captivating
Written by Kat Smith on 16th May 2018
