-
Music Critic Samuel Hastings reviews the latest album from Jessie Ware, praising her ability to combine polished disco and modern dance music for a wide audience
-
Music Critic Eve Wisniewski reviews Hozier's latest EP, Eat Your Young, praising it's fresh and varied sound
-
Music Critic Sammy Andrews reviews Fall Out Boy’s new album, So Much (For) Stardust, highlighting its variety of coexisting elements and the return of the band’s classic sound
-
Music Critic Devin Birse reviews Model/Actriz's debut album Dogsbody, which has a tender heart amidst the noisiness.
-
Music Critic Sammy Andrews reviews Paramore’s first album in 5 years and praises it for being a perfect innovative comeback album
-
Music Critic Isabelle Porter reviews Samia's latest album Honey, describing it as 'an anecdotal journey teeming with visceral reflections and catchy melodies'
-
Music Critic Abi Kinsella explores the new alternate takes on the deluxe collector’s edition of Queen’s 13th album, The Miracle
-
Music Critic Catalina Perez reviews Louis Tomlinson's latest album, describing it as enjoyable yet limited and lacking in innovation
-
Music Critic Georgia Brooks reviews First Aid Kit's latest album, praising its range of influences, energy and consistency
-
Redbrick Music review Taylor Swift's latest album, Midnights
-
Music Editor Bas Bevan reviews The Wombats' new EP and applauds its exciting sounds and perfectly constructed tracks
-
Music Critic Louisa Pickard reviews Charlie Puth's latest album, describing it as 'post-pandemic pop at its best'