Redbrick's writers gather together to write about the funniest and most heartwarming films to keep you company during lockdown

Film Critic Antonio Aguila finds Netflix animation The Willoughbys to be a pleasing distraction - if not much else besides

Film Editor Matt Taylor is blown away by the blood, brutality and bombast of Revenge, the perfect thriller for the #MeToo era

Horse Girl tries something different but fails to carve out an audience of its own, writes Film Critic Antonio Miguel Aguila

Adam Sandler takes another punt at serious acting in his latest Netflix film, Uncut Gems

Film Editor Samuel Zucca finds enough to praise despite the flaws in Chinese animation, Spycies

Unclear plot-holes poke through an otherwise engaging and necessary thriller about US involvement in South American conflicts, writes Film Critic Caitlin Gittins

Film Editor Todd Waugh Ambridge is enamoured with Pixar's Onward, an enchanting tale of dealing with loss and grief

Film Critic Ella McFarlane looks at depictions of the LGBTQ+ community in recent mainstream films, evaluating the successes in representation, and the areas in which there's still progress to be made

Takashi Miike's latest is yet another win for the cult Japanese director, says Gaming Editor Alex Green, as First Love crashes onto home video

Film Critic Ellie Burridge dredges Dark Waters, which sees Robert Bilott (Mark Ruffalo) take on a dark oil conglomerate

Film Editor Matt Taylor illuminates this reboot of the Universal Monsters 1933 classic The Invisible Man, starring Elisabeth Moss