Film Critic Archie Marks finds The Substance to be a body-horror look at female beauty standards

Film Critic Jennifer Sawitzki looks back at Shaun of the Dead on its twentieth anniversary, goes to the Winchester, and waits for it all to blow over

Film Critic Lizzie Smolenskaia probes Joker: Folie à Deux, and finds more to admire in the musical return of Joaquin Phoenix as its title character than most

Film Critic Adam Abrahams praises Starve Acre, a bold folk horror adaptation featuring Matt Smith, rural Yorkshire and a spooky tree

Film Critic Ryan Massey is enthralled by the rambunctious music biopic, Kneecap, that dives into the creation of the Northern Irish hip-hop group.

Film Critic Harry Grace is burned by Borderlands, an ill-advised adaptation of the video game series that not even Cate Blanchett seems able to save

Sci&Tech Editor Sophie Webb reviews the new instalment in the face-hugging franchise, Alien: Romulus, as the bloody-curdling legacy continues

Film Critic Anastasia Antoniou finds MaXXXine to be an underwhelming end to Ti West's trilogy

Film Critic Luke Pierce Powell reviews Jane Schoenbrun's I Saw the TV Glow, commending its visuals, enticing soundtrack and painting of the trans experience

Jess Parker reviews Longlegs, finding it to be an excellent example of under-the-skin horror

Rani Jadfa finds Deadpool & Wolverine to be much a needed shot in the arm of the MCU.

Editor-in-Chief James Richards reviews A Quiet Place: Day One, finding unexpected enjoyment from Lupita Nyong'o’s compelling horror prequel