Music Editor Dylan Lucas is astounded by the visuals of Richard Stanley's Color Out of Space, but finds the tone of the Lovecraft adaptation rather muddled

Film Critic Rhys Lloyd-Jones is left utterly bewildered by Dolittle, a lazy and nonsensical attempt at a feature film

Film Critic Antonio Miguel Aguila is disappointed by video game adaptation Sonic the Hedgehog

As To All the Boys: P.S. I Still Love You hits the streaming service, Film Critic Aimee Calvert is falling out of love with this Netflix rom-com franchise

Anya Taylor-Joy shines in this colourful adaptation of Austen's most comical novel, says Film Editor Amy O'Neill

Film Critic Rhys Lloyd-Jones is overjoyed with The Personal History of David Copperfield, a marked step away from director Armando Ianucci's usual fare

As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves

Film Critic Sam Denyer is pleasantly surprised by the emotional intelligence of Marielle Heller's Mr Rogers biopic, A Beautiful Day in the Neighbourhood

Clint Eastwood's latest, Richard Jewell, leaves Film Critic Ellie Burridge conflicted over how well it handles the truth of its subject matter

Film Critic Emily Faithful is full of praise for Taiwanese family drama A Sun, the latest foreign film to be picked up by Netflix

Film Critic Antonio Miguel Aguila is in awe of Parasite, Bong Joon-Ho's seventh feature film, which has catapulted him to fame, earning him four Academy Awards

Film Editor Matt Taylor digs into Little Monsters, the latest in a long line of zom-coms, and finds that it manages to be a cut above the rest