TV editor Jasmine Davies reviews Joseph and the Amazing Technicolor Dreamcoat at the Hippodrome, finding it to be an exciting production full of high energy and great musical numbers

Editor-in-Chief Vidhi Bhanushali reviews the Rep's production of Little Women, praising the cast's powerful performance and vivid portrayal of the original story's message

Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals

Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy

Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance

Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience

Culture Editor Ruby Kwartz reviews a contemporary adaptation of a Victorian classic, praising it's enlightening reflection on how women's rights have (or haven't) evolved over the past 100 years

Digital Editor Vidhi Bhanushali reviews Everybody Wants to be Ronaldo, praising its powerful message and creative plot

Social Secretary Cassandra Fong reviews The Rep's production of The Intrusion, praising the surprising humour of this outlandish satire

Culture writer Ella Goldwater reviews Wolverhampton Grand Theatre's production of War Horse, praising the show's ground-breaking use of puppeteering and powerful emotional impact

Culture writer Lyra Vincent reviews the RSC's production of Edward II, praising its nuanced handling of character and theme and immersive staging choices

Culture writer Harshi Modi praises Moira Buffini’s Handbagged as a comedic and touching reflection on British history, while lacking in nuance