Culture writer Izzy Lee reviews National Theatre Live's broadcast of Prima Facie, highlighting Jodie Comer’s electric performance within the dynamic one-woman show, and praising its powerful illumination of problems within the legal treatment of sexual assault

Culture writer Lauren Henry reviews Miss Ida Tek Charge of Yuh Health, praising the one-woman show for its profound exploration of how issues with the NHS impact older citizens and wishing the production itself had more funding

Culture writer Maya Shah reviews Cirque du Magique, praising the incredible stunts and mentalist tricks, yet noting the need for a smoother production

Culture editor Ruby Kwartz reviews Bright Places, finding it to be an energetic yet moving production that maintained its fun-spirit, despite some lapses into comedic cringe

Culture Writer Liza Glushak reviews the Royal Shakespeare Theatre's production of Othello, praising the play's effective staging choices and gestures to the work's present-day relevance

Culture writer Farah Yusuf-Meighan reviews Santi & Naz, praising the cast's nuanced performances but pushing for deeper exploration of the play's complex themes

Culture writer Ella Goldwater reviews a musical adaptation of Pride and Prejudice, exploring how the classic story was made more accessible and exciting through music, comedy and design

Culture writer Joel Bishton reviews The New Real, praising the skilled and dynamic acting but finding its treatment of political themes to lack the necessary time and nuance

Deputy Editor Hannah Gadd reviews & Juliet, praising its feel-good factor and high quality musical performances

Culture writer Joel Bishton reviews Arthur Miller's classic play All My Sons, discussing the thematic relevance of the play's revival and praising the effective set

Culture writer Joel Bishton reviews Mark Evans' stage play Bleak Expectations, finding it to be a fast-paced production overflowing with nonsensical comedy

Culture writer Aislin Slater reviews A Chorus Line, praising its unique portrayal of the chorus, powerful staging, and Carly Mercedes Dyer’s standout performance as Cassie