Print & Features Editor Jess Parker finds The Nun II to be a superfluous yet super-enjoyable addition to the popular Conjuring franchise

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Sport Editor Lucy Parry reviews the new season of Strictly Come Dancing at its halfway point, finding that the show has maintained its high entertainment quality and commenting on who the front runners of the competition may be

Film Critic Simone Salvatore marks the latest Scorsese film as one of his best thanks to stellar acting performances, despite its controversial run time

Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction

Redbrick's Film, Music, TV, and Gaming Editors come together with their picks for what to watch and play this October

Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice

Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.

Redbrick Gaming and Film's Writers and Editors come together to discuss the 'best' and the worst of films adapted from or influenced by video games

Film Writer Christopher Watts reviews The Creator, finding it a thought-provoking and visually stunning experience.

Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'