Film Editor Alice Weltermann commends this tipsy and sun-bleached debut of How to Have Sex for its honesty and skill

TV Writer Ashleigh Sutton reviews Only Murders in the Building Season Three, enjoying the star-studded cast and new musical elements despite initial scepticism

Digital Editor Halima Ahad defends the reality show Made in Chelsea, arguing that its stars are authentic and fun to watch, despite popular criticism

TV Editor Kylie Clarke celebrates a heartwarming and emotional goodbye to the characters of Sex Education, in spite of some unrealistic plots and dialogue

Film Critic Luke Pierce Powell ponders on the point of summer flick No Hard Feelings, finding its writing to be a fatal flaw

Film Critic Ash Sutton finds the latest Marvel flick to be a surprisingly fun watch despite some inconsistencies

Film Editor Tom Green examines the discourse surrounding Killers of the Flower Moon - the latest film from Martin Scorsese - and discusses what separates 'content' from 'cinema'

Gaming Editor Louis Wright makes the case for a Buddhist reading of Pixar's classic 2009 film.

Print & Features Editor Jess Parker finds The Nun II to be a superfluous yet super-enjoyable addition to the popular Conjuring franchise

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Sport Editor Lucy Parry reviews the new season of Strictly Come Dancing at its halfway point, finding that the show has maintained its high entertainment quality and commenting on who the front runners of the competition may be