Gaming Editor Louis Wright breaks down the fascinating ways in which film, filmmakers and philosophy intersect

Film Editor James Richards revisits Douglas Hickox's Theatre of Blood, finding it to be just as camp and vivacious as it was upon release in 1973

Print & Features Editor Jess Parker discusses Black Mirror's sixth season of tech-society critiques, highlighting the most successful episodes amidst a middling overall offering

TV editor Tom Stone unearths an old internet horror web series, Marble Hornets, and points to its unique combination of context and presentation in creating an immersive horror experience

Print and Features Editor Jess Parker talks A24's Talk to Me, finding it to be a chilling and worthy addition to the modern horror genre.

TV Editor Kylie Clarke explains why Chloe from My Mad Fat Diary is one of her favourite characters of all time, praising Jodie Comer's multidimensional performance

Film editor Alice Weltermann reviews the second season of FX's The Bear, applauding its star-studded cast while delving into the importance of the show's emotional intensity

Culture Editor Ilina Jha weighs in on Good Omens Season Two - besides some light criticism, they endorse Gaiman's colourful and creative cast of characters and the fantastical world they inhabit

Culture Writer Hannah Gadd reviews Grease: The Live Experience and finds it to perfectly encompass the true meaning of the movie

Digital Editor Halima Ahad reviews Amazon Prime's screen adaptation of The Summer I Turned Pretty, praising its feel good themes and high quality acting

Print and Featurers Editor Jess Parker reviews Oppenheimer, finding it a rich and enthralling watch despite some pacing and mixing issues.

Gaming Editor Louis Wright explores how the bombings of Hiroshima and Nagasaki have had a long-lasting impact on Japanese cinema