Film & TV writer Amelia Long finds I Love LA to be a comedic commentary on the present state of influencer culture, noting the show for its strong theme of friendship, irony, costume choices and satire

Film & TV Writer Maile Agai reviews Kaouther Ben Hania's docudrama The Voice of Hind Rajab, proclaiming it is a must-see film

Film & TV Writer Ben Emmel reviews the third film in the Knives Out series, praising Daniel Craig's portrayal of Benoit Blanc, and finding it to be more sombre than its predecessor

Film & TV Writer Nafeesa Hussain reviews Avatar: Fire and Ash, finding it to be the weakest film of the franchise

Film & TV Writer Amelia Long explores Harris Dickinson's directional debut, Urchin, finding that it respectfully handles themes of homelessness and addiction

Film & TV writer Isabelle Pinkney reviews Hazbin Hotel season 2, praising the ambitious voice acting and grappling with the unsatisfactory conclusion.

Film & TV Writer Sophie Staley reviews historical biopic Nuremberg, finding it to be a compelling introduction to the Nuremberg trials

Film & TV writer Esme Chen praises Guillermo Del Toro’s rendition of Frankenstein to be true to the original novel by Mary Shelley yet unique in its own way without disrupting the story’s core concepts

Film & TV writer Chris Watts reviews the new 2025 music biopic about Bruce Springsteen, praising it for giving the audience a fresh and deeper look into his life beyond being a Rockstar yet still keeping his music at the forefront

Film & TV writer Amelia Long gives a balanced review of Wayward, a Netflix mini-series, praising the concept and the initial thrill and further noting, the predictability and ambiguity towards the end of the show

Film & TV Writer Roxana Sherahmad reviews the third instalment in the Now You See Me franchise, finding that it fails to capture the same charm of its predecessors

Film & TV writer Harry James reviews the recently released film, Bugonia praising its concept and delivery through plot, characters and theme build up taking note of directorial choices in relevances to Yorgos Lanthimos' past work as well