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  • Redbrick Meets: Alex Spencer

    Music Critic Molly Cope catches up with rising star Alex Spencer, then reviews his gig at The Sunflower Lounge

  • Live Review: Whitelands

    Music Editor Annabelle Craven reviews Whitelands, believing them to be 'the next big thing' in shoegaze

  • Live Review: Florence & The Machine – A Double Perspective

    Music Critics Esme Chen and Izzy Lee review Florence & The Machine's Birmingham show, praising Florence Welch's artistic evolution

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    Music Critic Daisy Holian reviews Noah Kahan's latest single, praising his emotionally-turbulent and introspective lyricism

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    Music Editor Hannah Gadd attends the closing night of the 'More Employment' Tour, describing Kaiser Chiefs' performance as 'flawlessly fun'

  • Live Review: DMA’S

    Music Critic Daisy Holian reviews DMA'S as they bring their anthemic Britpop to Birmingham's O2 Academy

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    Music Critic Ash Sutton attends December 10's Birmingham show, praising Simon Cowell for bringing the member's undeniable talents together

  • Single Review: Sabrina Carpenter – Such a Funny Way

    Music Critic Maya Arif reviews Sabrina Carpenter's deluxe track 'Such a Funny Way', applauding the relatability of the lyrics and how she turns tears into laughter

  • Album Preview: Leigh-Anne – My Ego Told Me To

    Digital Editor Archie Marks reviews the Little Mix singer’s debut solo album, which fizzes with eclecticism and confidence

  • Eclectica’s One’s to Watch in 2026

    Music Critic and Host of Burn FM’s Eclectica Connie Lupton brings you her recommendations of the artists you need to pay attention to this year

  • Album Review: Madison Beer – Locket

    Music Critic Noa Sacks review Madison Beer's fourth studio album, claiming it is vulnerable and authentic

  • Live Review: The Twang

    Music Critic Daisy Holian describes 'Twangmas' as a must-attend event for fans of indie and alternative music

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