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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Previews
  • Live Review: Whitelands

    Music Editor Annabelle Craven reviews Whitelands, believing them to be 'the next big thing' in shoegaze

  • Live Review: Florence & The Machine – A Double Perspective

    Music Critics Esme Chen and Izzy Lee review Florence & The Machine's Birmingham show, praising Florence Welch's artistic evolution

  • Live Review: Kaiser Chiefs

    Music Editor Hannah Gadd attends the closing night of the 'More Employment' Tour, describing Kaiser Chiefs' performance as 'flawlessly fun'

  • Live Review: DMA’S

    Music Critic Daisy Holian reviews DMA'S as they bring their anthemic Britpop to Birmingham's O2 Academy

  • Live Review – December 10

    Music Critic Ash Sutton attends December 10's Birmingham show, praising Simon Cowell for bringing the member's undeniable talents together

  • Live Review: The Twang

    Music Critic Daisy Holian describes 'Twangmas' as a must-attend event for fans of indie and alternative music

  • Live Review: Enhypen

    Music Critic Maya Dhopatkar attends Enhypen's long-awaited Europe tour, praising the K-pop stars' unforgettable, energetic and emotionally-charged performances

  • Live Review: The Wombats

    Music Critic Tabitha Tremlett praises the infectious energy driving the latest tour from iconic British Indie-Rock band, The Wombats

  • Live Review: Radiohead Reunite — A Jigsaw falling (back) into place?

    Comment Writer Joseph Helsby reflects on his experience at the highly anticipated Radiohead reunion tour.

  • Live Review: Loyle Carner – Hopefully Tour

    Deputy Editor Lauren Henry reviews Loyle Carner’s recent Birmingham concert, detailing the intimate atmosphere and the powerful live band

  • Live Review: Lorde

    Music Critic Daisy Holian reflects on Lorde's Ultrasound tour, describing it as 'a viscerally poignant, transient experience'

  • Kneecap the Recap – Live Review of Kneecap

    Music Critic Molly Cope reviews Irish rap trio Kneecap's live performance at the Birmingham O2, noting the embrace of liberation for both Palestine and Ireland.

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