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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Redbrick Meets: Whitelands

    Music Editor Annabelle Craven sits down with Whitelands’ Etienne Quartey-Papafio, discussing the pressure of a sophomore album, shoegaze influences, and their upcoming tour

  • Live Review: Enhypen

    Music Critic Maya Dhopatkar attends Enhypen's long-awaited Europe tour, praising the K-pop stars' unforgettable, energetic and emotionally-charged performances

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    Music Critic Esme Chen explores the magic behind The Last Dinner Party and their latest album, From the Pyre

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    Music Critic Tabitha Tremlett praises the infectious energy driving the latest tour from iconic British Indie-Rock band, The Wombats

  • Live Review: Radiohead Reunite — A Jigsaw falling (back) into place?

    Comment Writer Joseph Helsby reflects on his experience at the highly anticipated Radiohead reunion tour.

  • Live Review: Loyle Carner – Hopefully Tour

    Deputy Editor Lauren Henry reviews Loyle Carner’s recent Birmingham concert, detailing the intimate atmosphere and the powerful live band

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    Music Critic Carly Cannarozzo sits down with dream-folk songwriter Chris Cleverley

  • From Artist to Capitalist: Taylor Swift’s Latest Album Is a Masterclass in Chart Manipulation, Not Musical Expression

    Music Critic Summaya Mehmood critiques Taylor Swift's latest album as a low-quality summation of chart-topping greed.

  • Live Review: Lorde

    Music Critic Daisy Holian reflects on Lorde's Ultrasound tour, describing it as 'a viscerally poignant, transient experience'

  • Kneecap the Recap – Live Review of Kneecap

    Music Critic Molly Cope reviews Irish rap trio Kneecap's live performance at the Birmingham O2, noting the embrace of liberation for both Palestine and Ireland.

  • Album Review: Florence + the Machine – Everybody Scream

    Music Critic Esme Chen discusses Florence + The Machine's latest album 'Everybody Scream', discussing her restorative use of themes such as witchcraft, sex, and folklore

  • Live Review: Stereophonics

    Music Editor Hannah Gadd, attends the opening night of Stereophonics' Winter Arena Tour, praising the band for their flawless musicianship

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