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Feminine power, baroque drama, and witchcraft: The spellbinding divinity of The Last Dinner Party
Music Critic Esme Chen explores the magic behind The Last Dinner Party and their latest album, From the Pyre
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Live Review: The Wombats
Music Critic Tabitha Tremlett praises the infectious energy driving the latest tour from iconic British Indie-Rock band, The Wombats
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Live Review: Radiohead Reunite — A Jigsaw falling (back) into place?
Comment Writer Joseph Helsby reflects on his experience at the highly anticipated Radiohead reunion tour.
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Live Review: Loyle Carner
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Redbrick Meets: Chris Cleverley
Music Critic Carly Cannarozzo sits down with dream-folk songwriter Chris Cleverley
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From Artist to Capitalist: Taylor Swift’s Latest Album Is a Masterclass in Chart Manipulation, Not Musical Expression
Music Critic Summaya Mehmood critiques Taylor Swift's latest album as a low-quality summation of chart-topping greed.
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Live Review: Lorde
Music Critic Daisy Holian reflects on Lorde's Ultrasound tour, describing it as 'a viscerally poignant, transient experience'
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Kneecap the Recap – Live Review of Kneecap
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Album Review: Florence + the Machine – Everybody Scream
Music Critic Esme Chen discusses Florence + The Machine's latest album 'Everybody Scream', discussing her restorative use of themes such as witchcraft, sex, and folklore
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Live Review: Stereophonics
Music Editor Hannah Gadd, attends the opening night of Stereophonics' Winter Arena Tour, praising the band for their flawless musicianship
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Live Review: Wolf Alice
Music Editor Alfie Warner reviews Wolf Alice's live show in Birmingham, celebrating the band's legacy in the British indie scene and the standout showmanship and theatrics
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Redbrick Meets: Dave Hill of Slade
Music Editor Hannah Gadd sits down with Slade legend Dave Hill to talk about all things Farewell Tour, fashion disasters and Christmas songs