Culture Writer Harshi Modi reviews Sir David Bintley’s Cinderella, a dazzling ballet brought to life by stunning choreography, exquisite costumes, and Prokofiev’s enchanting score, making for a truly magical evening at the Birmingham Hippodrome

Culture Writer Megan Hughes reviews the RSC's production of Shakespeare's Hamlet, finding it to be a richly atmospheric production with unique staging choices and superb acting

Culture writer Aislin Slater reviews Matthew Bourne's production of Swan Lake, praising its creative update of the classic ballet for a 21st-century audience, effectively balancing drama and comedy in the process

Culture writer Harshi Modi reviews the Birmingham Rep's run of Pride and Prejudice* (*sort of), finding it to be a hilarious and dynamic take on the much-adapted classic tale

Culture writer Louisa Pickard reviews the Birmingham Hippodrome's pantomime Peter Pan, finding it to be a joyful, feel-good production with dazzling staging and strong comedic performances

Deputy editor Hannah Gadd and Culture writer Emily Vanstone review the RSC's production of Twelfth Night, praising its blend of laugh-out-loud comedy with the play's darker themes, as well as the outstanding cast performances

Culture writer Louisa Pickard reviews the RSC's production of The Red Shoes, praising the magical staging of the dark fairy-tale and assessing it's commentary on contemporary society

Culture writer Jen Sawitzki reviews Bluevolution, finding it to be an entertaining and joyful performance that marks the Blue Man Group's return to the UK after 15 years

Culture writer Izzy Lee reviews National Theatre Live's broadcast of Prima Facie, highlighting Jodie Comer’s electric performance within the dynamic one-woman show, and praising its powerful illumination of problems within the legal treatment of sexual assault

Culture writer Lauren Henry reviews Miss Ida Tek Charge of Yuh Health, praising the one-woman show for its profound exploration of how issues with the NHS impact older citizens and wishing the production itself had more funding

Culture writer Maya Shah reviews Cirque du Magique, praising the incredible stunts and mentalist tricks, yet noting the need for a smoother production

Culture editor Ruby Kwartz reviews Bright Places, finding it to be an energetic yet moving production that maintained its fun-spirit, despite some lapses into comedic cringe