Culture editor Harshi Modi reviews The Rep's Inspector Morse: House of Ghosts, finding it to be a suspenseful and twisty watch that keeps you on the edge of your seat

Culture writer Ellen Campbell praises the RSC’s production Hamlet Hail to the Thief for its masterful fusion of Shakespeare’s classic tragedy with Radiohead's critically acclaimed album

Culture writer Louisa Pickard reviews Shakespeare's The Winter's Tale, praising its relevance to the real world, particularly its emphasis on female-focused narratives

Culture Writer Devina Sharma reviews Marriage Material, commending its sensitive and entertaining presentation of family life for a Punjabi family in the West Midlands

Former Editor-In-Chief Ash Sutton reviews Wolverhampton Grand Theatre's production of Chicago, praising the cast's breathtaking and immersive performance

Culture writer Dori Milman reviews Ballet BC, praising the company's emotional and evocative performance

TV editor Jasmine Davies reviews Joseph and the Amazing Technicolor Dreamcoat at the Hippodrome, finding it to be an exciting production full of high energy and great musical numbers

Editor-in-Chief Vidhi Bhanushali reviews the Rep's production of Little Women, praising the cast's powerful performance and vivid portrayal of the original story's message

Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals

Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy

Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance

Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience