Social Secretary Cassandra Fong reviews The Rep's production of The Intrusion, praising the surprising humour of this outlandish satire

Culture writer Ella Goldwater reviews Wolverhampton Grand Theatre's production of War Horse, praising the show's ground-breaking use of puppeteering and powerful emotional impact

Culture writer Lyra Vincent reviews the RSC's production of Edward II, praising its nuanced handling of character and theme and immersive staging choices

Culture writer Harshi Modi praises Moira Buffini’s Handbagged as a comedic and touching reflection on British history, while lacking in nuance

Culture Writer Harshi Modi reviews Sir David Bintley’s Cinderella, a dazzling ballet brought to life by stunning choreography, exquisite costumes, and Prokofiev’s enchanting score, making for a truly magical evening at the Birmingham Hippodrome

Culture Writer Megan Hughes reviews the RSC's production of Shakespeare's Hamlet, finding it to be a richly atmospheric production with unique staging choices and superb acting

Culture writer Aislin Slater reviews Matthew Bourne's production of Swan Lake, praising its creative update of the classic ballet for a 21st-century audience, effectively balancing drama and comedy in the process

Culture writer Harshi Modi reviews the Birmingham Rep's run of Pride and Prejudice* (*sort of), finding it to be a hilarious and dynamic take on the much-adapted classic tale

Culture writer Louisa Pickard reviews the Birmingham Hippodrome's pantomime Peter Pan, finding it to be a joyful, feel-good production with dazzling staging and strong comedic performances

Deputy editor Hannah Gadd and Culture writer Emily Vanstone review the RSC's production of Twelfth Night, praising its blend of laugh-out-loud comedy with the play's darker themes, as well as the outstanding cast performances

Culture writer Louisa Pickard reviews the RSC's production of The Red Shoes, praising the magical staging of the dark fairy-tale and assessing it's commentary on contemporary society

Culture writer Jen Sawitzki reviews Bluevolution, finding it to be an entertaining and joyful performance that marks the Blue Man Group's return to the UK after 15 years