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  • Redbrick Rewind: Good Will Hunting

    Film & TV Writer Izzy Lee looks back on Good Will Hunting, exploring why it still resonates with university students 28 years later

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    Film & TV Writer Cassandra Fong looks back on Jesus Christ Superstar (1973), analysing its intricate and purposeful cinematography, and unconventional structure, finding it revolutionary for its time

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    Film & TV Writer Cassandra Fong looks back on the 2001 film Prozac Nation, praising Christina Ricci's striking portrayal of Elizabeth Wurtzel

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    Redbrick Rewind: Cinderella

    Film & TV Writer Cassandra Fong looks back on the 1950’s classic Cinderella, discussing how it redefined Disney

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    Film & TV Writer Cassandra Fong revisits 2002's The Pianist, crediting its continued cinematic relevance

  • Redbrick Rewind: Kill Your Darlings

    Film Critic Cassandra Fong revisits Kill Your Darlings, seeing in it a film that resonates deeply with contemporary audiences

  • The Bling Ring

    Redbrick Rewind: The Bling Ring

    Film Critic Cassandra Fong revisits Sofia Coppola's The Bling Ring, seeing it as a mirror into modern celebrity culture

  • Redbrick Rewind: The Virgin Suicides

    Film critic Cassandra Fong reviews Sofia Coppola’s adaptation of The Virgin Suicides, commending its precise use of lighting, sound, and camera technique

  • Redbrick Rewind: Lost in Translation

    Film Critic Cassandra Fong looks back at the 2003 film Lost in Translation, which solidified Sofia Coppola's position as a director to be watched

  • Redbrick Rewind: Lady Macbeth

    Film Writer Cassandra Fong revisits Lady Macbeth, finding it to be a quiet masterwork with a gripping central performance from Florence Pugh

  • Redbrick Rewind: The Prestige

    Film Writer Cassandra Fong revisits 2006's The Prestige, finding it to be a twisting psychological thriller with a greater reward on a rewatch

  • Redbrick Rewind: The Dictator

    Film Writer Cassandra Fong revisits 2012's The Dictator, finding it to be a politically-incorrect comedy that has become horrifically prescient over time

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