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  • Live Review: The Pretty Reckless

    Music Editor Emma Gardner reviews The Pretty Reckless's Birmingham show at the O2 Academy on the 30th October, describing it as 'a fiery and energetic rock and roll show'

  • Live Review: Wage War

    Film Editor James Evenden reviews Wage War's recent O2 Academy gig on the 24th October, describing it as 'the perfect show for metalheads looking to mosh all night'

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    Music Critic Cameron Milner reviews Biffy Clyro's performance at the Resorts World Arena, describing it as a perfectly constructed show from one of the UK's best bands

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    Music Editor Emma Gardner reviews Squeeze's live show at the Birmingham Symphony Hall on the 12th November, describing it as 'a thrilling and memorable performance'

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    Film Editor James Evenden reviews modernlove. 's first headline tour and commends their high energy and charm

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    Music Critic Caitlin McGraw reviews Rina Sawayama's show in Birmingham, highlighting the variation of the singer's music and impressive performing skills

  • Live Preview: Squeeze

    Music Editor Emma Gardner previews Squeeze's UK tour, describing it as 'an admirable endeavour that is testament to their raw musical talent'

  • Live Review: Five O Fives

    Music Critic Louisa Pickard reviews Five O Five's EP release show, calling it 'euphoric and hugely successful'

  • Live Review: The Big Spook 2

    Music Editor Faith Parker attended The Big Spook 2 whilst in Exeter to check out the local music scene

  • Live Review: The Wombats

    Music Editor Bas Bevan reviews The Wombats performance at the O2 Academy and highlights how the band know exactly how to give their audience what they want and create an incredibly fun atmosphere

  • Live Review: The Amazons

    Music Editor Bas Bevan reviews The Amazons' show at the O2 Institute, describing it as a fantastic live performance that was taken to another level by the songs from the band's most recent album

  • Live Review: Maxïmo Park

    Music Critic Vicky Wilson reviews Maxïmo Park's live gig at the Birmingham O2 Institute on the 30th September, calling it 'a powerful and reminiscent performance'

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