Film Critic Joel Bishton reviews Drive-Away Dolls, finding it to be a classic quasi-Coen caper

Film Critic Joel Bishton makes the case that original filmmaking is still very much alive and well within the Hollywood studio system

Film Critic Joel Bishton reviews The Beekeeper, finding it to be tonally mixed beneath its star-studded cast

Film Critic Joel Bishton outlines the most anticipated films of the year ahead, promising an exciting twelve months for cinema

TV Writer Joel Bishton explores the history of and debates surrounding the fictionalised drama genre, using Partygate and The Crown as points of reference

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction

Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'

TV Writer Joel Bishton explores the legacy of Doctor Who, describing how its successful genre-switching as well as innovative ideas have led to its mass appeal and status as a staple of British television