Culture Writer Youssra Hajji reviews Much Ado About Nothing and finds the incorporation of both BSL and Audio Description to be smoothly integrated into the show whilst still maintaining the core principals of a Shakespearean comedy

Culture Writer Charis Gambon praises the Belgrade's energetic and fun performance of the iconic Rocky Horror Show

Culture Writer Fisola Kelly-Akinnuoye reviews Sister Act and finds the production to boast infectious energy

Gaming Editor Benjamin Oakden finds South Pacific to represent the issue of segregation perfectly, displaying societal issues in a mesmerising light

Culture Writer Anastasis Mauriac attends the showing of Windrush - The Betrayal and finds the show to represent the scandal impeccably whilst also bringing to light important issues

Culture Writer Nicole Haynes reviews the Belgrade Theatre's production of the 1976 smash-hit film, Bugsy Malone, praising the impressive performances of the younger cast members

Culture writer Youssra Al Hajji reviews the Alexandra Theatre's recent production of the renowned musical, Fame, arguing that the show never gets old

Culture Writer Frankie Rhodes reviews All's Well That Ends Well at the RSC and finds it to be an insightful take on Shakespeare's original play

Culture Writer Joi Foote reviews Birmingham Repertory's performance of Counting and Cracking from Edinburgh International Festival, and finds the story to be a remarkable portrayal of multicultural identities and political troubles

Culture Writer Jasmine Sandhar reviews the Young Rep Company’s performance of Twelfth Night, finding that the performance flawlessly executes a modern twist on a Shakespeare classic

Culture Writer Charis Gambon reviews Some Mothers Do 'Ave 'Em, finding the show to be a hilarious watch and one to definitely look out for

Culture Writer Charis Gambon reviews the Royal Shakespeare Company's production of Richard III, and finds the performance to perfectly portray the power-driven and maniacal Richard III