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  • Theatre Review: Fame!

    Culture writer Youssra Al Hajji reviews the Alexandra Theatre's recent production of the renowned musical, Fame, arguing that the show never gets old

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    Culture Writer Frankie Rhodes reviews All's Well That Ends Well at the RSC and finds it to be an insightful take on Shakespeare's original play

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    Culture Writer Jasmine Sandhar reviews the Young Rep Company’s performance of Twelfth Night, finding that the performance flawlessly executes a modern twist on a Shakespeare classic

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    Culture Writer Charis Gambon reviews Some Mothers Do 'Ave 'Em, finding the show to be a hilarious watch and one to definitely look out for

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    Culture Writer Charis Gambon reviews the Royal Shakespeare Company's production of Richard III, and finds the performance to perfectly portray the power-driven and maniacal Richard III

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    Culture Writer Frankie Rhodes reviews May Queen and finds the play to be a riveting take on the Coventry Carnival

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    Riot Act and First Time: Two One-Man-Shows’ Take On Gay History and HIV

    Culture Writer Georgia Brooks discusses Riot Act and First Time in relation to one another, explaining that they explore similar topics in different ways

  • Theatre Review: The White Card

    Culture Writer Daisy Griffin reviews The White Card at the Birmingham Rep, a play which interrogates white liberals who ignore their privilege and its role in the oppression of people of colour

  • Theatre Review: Would You Bet Against Us?

    Culture Writer Benjamin Oakden praises Would You Bet Against Us? at the Birmingham Rep as a heart-warming tale of backing yourself against the odds, and the power of sport to bring people together

  • Theatre Review: LAVA

    Culture Writer Joi Foote reviews LAVA at the Birmingham REP, praising the production for its subversion of the 'Girl Meets Boy' trope and the fantastic acting of its cast

  • Theatre Review: The Play That Goes Wrong

    Print & Features Editor Kitty Grant reviews The Play That Goes Wrong at The Alexandra, praising the fantastic acting but warning those who do not favour slapstick humour to potentially give this production a miss

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