Culture Writer Charis Gambon reviews The Bobby Kennedy Experience, a one-man show about John F. Kennedy's younger brother, Robert 'Bobby' Kennedy

Culture Writer Charis Gambon praises the Alexandra's Catch Me If You Can, finding it a hilarious thriller which will keep you guessing until the very end!

Culture Writer Frankie Rhodes reviews the opera Don Giovanni, deeming it perfect for those struggling to find opera approachable

Culture Writer Charis Gambon reviews Private Peaceful at the Birmingham REP, praising the incredible acting from all cast members, and finding the production overall a poignant memorial to the casualties of the First World War

Culture Writer Joi Foote reviews Belgrade Theatre's Animal Farm, praising the extraordinary artistry of the puppets and hailing it as a 5/5 star show!

Culture Editor Leah Renz reviews the ambitious dance-theatre show TRAPLORD, a fusion of trap, dance and spoken word which explores the reality of being a black man in South London

Editor-in-Chief Chelsie Henshaw and Food & Drink Editor Cara-Louise Scott attend The Curious Incident of the Dog in the Night-Time, highlighting the production's attention to detail and the clever staging

Culture Writer Ella Taylor reviews the wonderfully diverse Queen of Hearts, a play that examines our cultural aversion to ageing through the story of an ex-Bollywood star

Travel Editor Sarina Shah attends the press night of The Lion, The Witch & The Wardrobe at the Alexandra, praising everything from the staging to the versatility of the cast

Food & Drink Editor Cara-Louise Scott reviews Requiem Stained With Grass, a moving play about grief performed by the Infinity Stage Company, a theatre society

Music Editor Lorcan Drury reviews Yours Sincerely, praising the hilarious writing, fantastic acting and overall excellence of this "queer extravaganza!"

Culture Writer Fisola Kelly-Akinnuoye reviews KERBS at Coventry's Belgrade Theatre, praising the chemistry between the two main protagonists and the delicately handled sex scenes, but sometimes finding the dialogue unrealistic