Culture Writer Zenna Hussain reviews Much Ado About Nothing at the RSC, praising the Afro-futuristic setting and 'electric chemistry' between the main protagonists

Food & Drink Editor Cara-Louise Scott reviews Swallow, a much-needed play which explores modern-day life and teaches us that there is always hope

Culture Writer Joi Foote reviews Fatal Attraction, 'a tale of obsessive love,' at The Alexandra

Marketing Secretary & Treasurer Jennifer Price reviews Groan Ups, a show which left every audience member with a smile on their face

Culture Writer Frankie Rhodes praises Crescent Theatre's production of A Number, a play exploring "cloning, fatherhood and belonging".

Comment Editor Colette Fountain speaks with the Artistic Director and founder of Vamos Theatre in an interview about their most recent show, Dead Good

Comment Editors Colette Fountain and Ffion Hâf praise the sensitively blended comedy and pathos of Dead Good, even when the gags did not always match their personal tastes

Culture Writer Frankie Rhodes reviews The Covid-19 Variations: A Piano Drama, praising the comedic celebrity juxtapositions whilst criticising the satire involving Greta Thunberg

Culture Writer Tamzin Meyer interviews author Ross Smith on his new book See You at the Premiere: Life at the Arse End of Showbiz in which he reveals the often financially challenging reality of creatives in the Showbiz industry

Culture Writer Charis Gambon reviews The Chinese Labour Corps, deeming it a significant help in spreading awareness of what Chinese soldiers went through during World War One

Culture Writers Frankie Rhodes and Victoria Wilson review the murder mystery play The Lovely Bones, praising the staging but highlighting the sometimes patchy plot and poor acting

Culture Writer Charis Gambon reviews Into Battle, a play retelling the events of a true story, and discusses its themes of class difference and family expectations