Film Critic Cassandra Fong looks back at the 2003 film Lost in Translation, which solidified Sofia Coppola's position as a director to be watched

Film Writer Cassandra Fong revisits Lady Macbeth, finding it to be a quiet masterwork with a gripping central performance from Florence Pugh

Film critic Simran Seera reviews Netflix's The Life List, applauding the relatable depiction of one's uncertain twenties

Film Editor Joel Bishton investigates the disappearance of the spoof genre, and the lost cultural significance of iconic films like Airplane and Scary Movie

Film Critic Cassandra Fong finds Blink Twice to be an uneven but promising debut from Zoe Kravitz

Film Critic Cassandra Fong finds Sinners to be a simmering and luscious piece of modern cinema

Film Writer Cassandra Fong revisits 2006's The Prestige, finding it to be a twisting psychological thriller with a greater reward on a rewatch

Film Writer Cassandra Fong finds new relevance in 2023's The Apprentice with the second rise of Donald Trump

News Editor Tamara Greatrix interviews Gina Lyons, an award-winning comedy producer championing female writers in TV and film

Film Writer Cassandra Fong revisits 2012's The Dictator, finding it to be a politically-incorrect comedy that has become horrifically prescient over time

Comment Editor Lauren Penzer explores the depiction of old and new vampires, following the release of Nosferatu

Film critic Cassandra Fong rewinds back to Alex Garland’s directorial debut, Ex Machina, commenting on its relevance in the age of AI.