TV Critic Lucy Parry praises Netflix's penultimate instalment of Never Have I Ever, noting how witty and relatable it is to the audience

Film Editor Jess Parker reviews Do Revenge, finding that it fails to step out from the shadow of its teen-comedy predecessors

Film Editor James Evenden finds Blonde a gruelling cinematic experience with a scattered structure, despite Armas' committed performance

Film Editor Emily Wallace praises See How They Run for being an enjoyable whodunnit, with a fun central pairing in Ronan and Rockwell

Film Editor Jess Parker comments on the opening of the new season of RuPaul's Drag Race UK, citing its potential to become a fan-favourite series

Print and Features Editor Sophie Utteridge praises Freddie Flintoff's sporting experiment, highlighting how the show goes beyond simply emphasising the role of sport in bringing communities together

Film Editor Jess Parker is full of praise for Top Gun: Maverick, highlighting both Cruise and Teller's performances and the stunning flight sequences

Prey successfully represents Comanche culture, finds Film Editor Jess Parker, but fails to connect the viewer to its plot or characters

Film Editor Jess Parker praises survival drama Thirteen Lives, finding it a suitably tense retelling of the Tham Luang cave rescue

Film Editor James Evenden is disappointed by The Gray Man, finding it fails to stand out as an action film

Film Critic Eve Greybanks reviews Thor: Love and Thunder, praising the cinematography and character development but finding it goes too far with the humour

Film Editor James Evenden reviews Bullet Train, praising its outlandish script and witty comedy