Film critic Catalina Pérez finds Don’t Worry Darling to be a convoluted and messy attempt to portray toxic masculinity and female autonomy

Film Critic Caitlin McGraw discusses divided opinions towards Halle Bailey's casting in The Little Mermaid

Redbrick's Writers discuss the shows that are reminiscent of autumn, like Gilmore Girls

TV Critic Lucy Parry praises Netflix's penultimate instalment of Never Have I Ever, noting how witty and relatable it is to the audience

Film Editor Jess Parker reviews Do Revenge, finding that it fails to step out from the shadow of its teen-comedy predecessors

Film Editor James Evenden finds Blonde a gruelling cinematic experience with a scattered structure, despite Armas' committed performance

Film Editor Emily Wallace praises See How They Run for being an enjoyable whodunnit, with a fun central pairing in Ronan and Rockwell

Film Editor Jess Parker comments on the opening of the new season of RuPaul's Drag Race UK, citing its potential to become a fan-favourite series

Print and Features Editor Sophie Utteridge praises Freddie Flintoff's sporting experiment, highlighting how the show goes beyond simply emphasising the role of sport in bringing communities together

Film Editor Jess Parker is full of praise for Top Gun: Maverick, highlighting both Cruise and Teller's performances and the stunning flight sequences

Prey successfully represents Comanche culture, finds Film Editor Jess Parker, but fails to connect the viewer to its plot or characters

Film Editor Jess Parker praises survival drama Thirteen Lives, finding it a suitably tense retelling of the Tham Luang cave rescue