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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Live Review: Alfie Boe and Michael Ball

    Alfie Boe and Michael Ball met high expectations of a spectacular performance and provided an evening of thorough entertainment, Life&Style Editor Frankie Rhodes writes

  • Live Review: The Script

    Music Critic Memoonah Hussain writes a glowing review of The Script at Resorts World Arena, writing that their level of respect for their fans makes them stand out from other modern artists

  • Single Review: Niall Horan – No Judgement

    Niall Horan is releasing more new music with variation, creating a fresh and fun pop sound, Music Critic Ffion Haf writes.

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    Music Writer Jade Matlock reviews The Goo Goo Dolls live in Birmingham for the first time in three years, acknowledging a notable combination of lows and awkward highs

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    Music Editor Bethany-Jo O'Neill recaps the 2020 Brit Awards in detail

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    Music Editor Bethany-Jo O'Neill interviews up and coming folk star David Keenan about his latest album and upcoming tour

  • Single Review: James Newman – My Last Breath

    As Eurovision 2020 approaches, Music Critic David Atkins is hopeful for the UK'S 2020 entry

  • Album Review: Blossoms – Foolish Loving Spaces

    Blossoms' latest album is a combination of hit and miss, with a frustrating combination of brilliant and wholly avoidable tracks, Music Critic Robert Hawken writes

  • Single review: King Krule – Alone, Omen 3

    King Krule teases another track for new album Man Alive!, Music Critic Ben Monro reviews

  • The Best Love Songs Ever

    Following Valentine's Day, Redbrick's Music Editors pitch their arguments for why these four tracks should be certified as the best love songs ever

  • Live Review: HMLTD

    HMLTD gave an incredible live performance at the Sunflower Lounge despite difficulties thrown their way, Music Writer Benjamin Monro writes

  • Reading and Leeds Festival: The Lack of Female Artists

    Life and Style Editor Elizabeth Winter draws attention to the severe lack of female artists in the Reading and Leeds Festival line up, and in festivals as a whole

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