Film Critic Simone Salvatore marks the latest Scorsese film as one of his best thanks to stellar acting performances, despite its controversial run time

Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction

Redbrick's Film, Music, TV, and Gaming Editors come together with their picks for what to watch and play this October

Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice

Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.

Redbrick Gaming and Film's Writers and Editors come together to discuss the 'best' and the worst of films adapted from or influenced by video games

Film Writer Christopher Watts reviews The Creator, finding it a thought-provoking and visually stunning experience.

Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'

TV Editor Kylie Clarke reviews You Are So Not Invited To My Bat Mitzvah, finding it a sincere and heartfelt ode to adolescence.

Gaming Editor Louis Wright finds The Boy and the Heron to be a near perfect exploration of death and memory

Film Writer Jaiden Griffin reviews Saw X, finding it to be a fitting entry to the franchise, despite it's disappointing conclusion.

Film Critic Ruby Green praises the dazzling, career-spanning ambition of Taylor Swift's immersive new concert film: The Eras Tour