Film Critic Charis Gambon praises The King's Man as an entertaining film that blends historical accuracy with exciting action sequences

TV Editor Josie Scott-Taylor is unimpressed by the sequel to Tall Girl, writing that it has little substance and few redeeming factors

Redbrick Writers and Editors take a look back over their favourite films of 2021

TV Writer Deyna Grimshaw reviews the final season of Ricky Gervais' After Life, praising its balance between brash comedy and sentimentality

Film Critic Martha Roche praises Scream (2022) as a successful update to the Scream franchise, made with a clear love and respect for the original film

Film Critic Amelia Neath reviews Munich - The Edge of War, arguing that it lacks the purpose and suspense necessary for a good war film

Film Critic Amelia Neath reviews C'mon C'mon, praising how it invokes the feeling of being read a bedtime story

Kenneth Branagh's Belfast, a tribute to his hometown, is a moving but detachable watch, writes Film Critic Anna Emmerson Robinson

Film Critic Matt Cook dives into acclaimed director Paul Thomas Anderson's career, exploring everything from favourites such as Boogie Nights to the recently-released hit Licorice Pizza

TV Writer Charis Gambon reviews the latest BBC adaptation of Around the World in 80 Days, finding it to be an exciting and atmospheric adventure

TV Writer Charis Gambon reviews the second season of Emily in Paris, a comedy-drama that's dangerously easy to binge

Film Critic Frankie Rhodes reviews Paul Thomas Anderson's latest film Licorice Pizza, writing that it does not live up to the hype, despite the story's great potential