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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Redbrick Rewind: About Time

    Film Editor Alice Weltermann looks back at Richard Curtis' About Time... and wholeheartedly recommends it

  • Redbrick Rewind: Theatre of Blood Turns Fifty

    Film Editor James Richards revisits Douglas Hickox's Theatre of Blood, finding it to be just as camp and vivacious as it was upon release in 1973

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    Gaming Editor Louis Wright reflects back on Channel Awesome's To Boldly Flee

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    Gaming Editor Benjamin Oakden reflects back on the football mockumentary Mike Bassett: England Manager in light of the current FIFA World Cup

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    Comment Editor Emily Baldwin reflects on the late-2000s rollerskating classic, Whip It

  • Redbrick Rewind: The Godfather Turns 50

    Film Critic Maria Bastan-Sarabi reflects on The Godfather 50 years after its release, exploring the different factors that contributed to its cinema-defining success

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    After the celebration of the franchise's 20th anniversary, Film Critic Halima Ahad takes us through the Harry Potter series, writing that the magical films are just as special two decades on

  • Redbrick Rewind: A Little Princess

    Film Critic Charis Gambon takes a look back on one of her favourite films, A Little Princess (1995), writing that it is a timeless classic nearly thirty years after its release

  • Redbrick Rewind: Monsters, Inc. turns 20

    Music Editor Sammy Andrews takes a trip down memory lane to celebrate Monsters, Inc. turning 20, arguing that it remains a timeless classic for all ages

  • Redbrick Rewind: Legally Blonde Turns 20

    Comment Editor Ffion Hâf takes a look back at Legally Blonde, arguing that it remains an iconic feminist piece 20 years on

  • Redbrick Rewind: Tangled Turns Ten

    After turning ten last November, Film Writer Ellie Duncan argues that Tangled is more applicable than ever before

  • Rewind: The Social Network

    In anticipation of David Fincher's new film, Mank, Film Critic David Cohen looks back on his masterpiece, The Social Network

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