Redbrick Music Writers and Editors review tracks from Taylor Swift's re-recorded version of 1989

Music Editor Hannah Gadd previews Baby Queen's debut album, describing it as an 'existential pop daydream'

Music Critic Harry Grace reviews George Clanton's sophomore album, Ooh Rap I Ya, finding it to be a great homage to '90s era trip-hop and vaporwave.

Music critic Elvira Zarina-Cristino review Drakes gigantic new album For All The Dogs, finding it to be another worthy entry in his ever expanding oeuvre.

Music Editor Isabelle Porter reviews Maple Glider’s new album, I Get Into Trouble, praising its whimsy and lyrical frankness.

Music Critic Mia Lynam reviews Laufey's sophomore album, praising its jazz-centric meditations on the complexity of young love.

Sports Editor Lucy Parry reviews Olivia Rodrigo's GUTS, finding it to be a great evolution from her debut.

Music Critic Simone Salvatore reviews Royal Blood's newest album, finding it to be a strong execution of their style, with effective attempts at evolution.

Music Critic Riley Wells reviews acclaimed singer-songwriter Mitski's new album finding to be reflective of her early work whilst still forging a new direction and identity

Music editor Devin Birse reviews experimental rock act Sprain's new album, finding it to be a masterwork of sonic destruction.

Print & Features Editor Jess Parker reviews Blur's latest album, praising the band's growth and explaining why it is an instant classic

Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.