Music Critic Mia Lynam reviews Laufey's sophomore album, praising its jazz-centric meditations on the complexity of young love.

Sports Editor Lucy Parry reviews Olivia Rodrigo's GUTS, finding it to be a great evolution from her debut.

Music Critic Simone Salvatore reviews Royal Blood's newest album, finding it to be a strong execution of their style, with effective attempts at evolution.

Music Critic Riley Wells reviews acclaimed singer-songwriter Mitski's new album finding to be reflective of her early work whilst still forging a new direction and identity

Music editor Devin Birse reviews experimental rock act Sprain's new album, finding it to be a masterwork of sonic destruction.

Print & Features Editor Jess Parker reviews Blur's latest album, praising the band's growth and explaining why it is an instant classic

Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.

Music Critic Samuel Hastings reviews the latest album from Jessie Ware, praising her ability to combine polished disco and modern dance music for a wide audience

Music Critic Eve Wisniewski reviews Hozier's latest EP, Eat Your Young, praising it's fresh and varied sound

Music Critic Sammy Andrews reviews Fall Out Boy’s new album, So Much (For) Stardust, highlighting its variety of coexisting elements and the return of the band’s classic sound

Music Critic Devin Birse reviews Model/Actriz's debut album Dogsbody, which has a tender heart amidst the noisiness.

Music Critic Sammy Andrews reviews Paramore’s first album in 5 years and praises it for being a perfect innovative comeback album