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Film Critic Cassandra Fong looks back at the 2003 film Lost in Translation, which solidified Sofia Coppola's position as a director to be watched
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Film Writer Cassandra Fong revisits Lady Macbeth, finding it to be a quiet masterwork with a gripping central performance from Florence Pugh
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Film critic Simran Seera reviews Netflix's The Life List, applauding the relatable depiction of one's uncertain twenties
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Film Editor Joel Bishton investigates the disappearance of the spoof genre, and the lost cultural significance of iconic films like Airplane and Scary Movie
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Film Critic Cassandra Fong finds Blink Twice to be an uneven but promising debut from Zoe Kravitz
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Film Critic Cassandra Fong finds Sinners to be a simmering and luscious piece of modern cinema
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Film Writer Cassandra Fong revisits 2006's The Prestige, finding it to be a twisting psychological thriller with a greater reward on a rewatch
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Film Writer Cassandra Fong finds new relevance in 2023's The Apprentice with the second rise of Donald Trump
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News Editor Tamara Greatrix interviews Gina Lyons, an award-winning comedy producer championing female writers in TV and film
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Film Writer Cassandra Fong revisits 2012's The Dictator, finding it to be a politically-incorrect comedy that has become horrifically prescient over time
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Comment Editor Lauren Penzer explores the depiction of old and new vampires, following the release of Nosferatu
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Film critic Cassandra Fong rewinds back to Alex Garland’s directorial debut, Ex Machina, commenting on its relevance in the age of AI.