-
Culture writer Devina Sharma visits the Barber's new interactive exhibition, praising the innovative combination of art from the Pre-Raphaelite era with the sense of smell
-
Culture Writer Liza Glushak reviews the Royal Shakespeare Theatre's production of Othello, praising the play's effective staging choices and gestures to the work's present-day relevance
-
Culture writer Farah Yusuf-Meighan reviews Santi & Naz, praising the cast's nuanced performances but pushing for deeper exploration of the play's complex themes
-
Culture editor Ruby Kwartz interviews comedian Ian Stone, discussing his current national tour, the comedy industry, football and more!
-
Birmingham English Department society (BEDSOC) member and culture writer Heidi Fogden reviews Gathering Blossoms Under Fire – The Journals of Alice Walker, finding the journal collection to be a wide-ranging and intimate insight into the mind of the American writer and activist
-
Culture writer Ella Goldwater reviews a musical adaptation of Pride and Prejudice, exploring how the classic story was made more accessible and exciting through music, comedy and design
-
Culture writer Louisa Pickard reviews Aladdin's dazzling Birmingham performance, praising its vibrant visuals, standout Genie, and enchanting score
-
Culture writer Joel Bishton reviews The New Real, praising the skilled and dynamic acting but finding its treatment of political themes to lack the necessary time and nuance
-
Culture writer Abigail Meardon reviews the Birmingham Breaking Talent Award show 2024, highlighting the dynamic performance of the winner Tom Towelling and suggesting a promising career lies ahead for each nominee
-
Deputy Editor Hannah Gadd reviews & Juliet, praising its feel-good factor and high quality musical performances
-
Culture writer Abigail Meardon previews Birmingham Comedy Festival's upcoming Breaking Talent Award show, suggesting the sneak peaks she received from the nominees promise performances that are dynamic and varied, yet relatable and seriously funny
-
Culture writer Sam Hadley reviews Luna, praising the Birmingham Royal Ballet's technical brilliance, ethereal tone, and standout chemistry between Beatrice Parma and Javier Rojas