-
Culture writer Louisa Pickard reviews the RSC's production of The Red Shoes, praising the magical staging of the dark fairy-tale and assessing it's commentary on contemporary society
-
Culture writer Jen Sawitzki reviews Bluevolution, finding it to be an entertaining and joyful performance that marks the Blue Man Group's return to the UK after 15 years
-
Culture writers spotlight influential black artists and creatives for Black History Month
-
Culture writer Izzy Lee reviews National Theatre Live's broadcast of Prima Facie, highlighting Jodie Comer’s electric performance within the dynamic one-woman show, and praising its powerful illumination of problems within the legal treatment of sexual assault
-
Culture writer Megan Hughes reviews Ancient Christianities: The First Five Hundred Years by Paula Fredriksen, praising the nuanced and insightful lens through which the book traces early Christian history
-
Culture writer Harry Grace reviews Literary Journeys: Mapping Fictional Travels across the World of Literature, edited by John McMurtrie, finding it a broad, diverse, and accessible overview of journey-based storytelling over time
-
Culture writer Lauren Henry reviews Miss Ida Tek Charge of Yuh Health, praising the one-woman show for its profound exploration of how issues with the NHS impact older citizens and wishing the production itself had more funding
-
Birmingham English Department society (BEDSOC) member and culture writer Gabriela Ardila Jácome reviews Americanah by Chimamanda Ngozi Adichie finding it to be captivating and insightful novel depicting the raw and honest experiences of African women
-
Culture writer Maya Shah reviews Cirque du Magique, praising the incredible stunts and mentalist tricks, yet noting the need for a smoother production
-
Birmingham English Department Society (BEDSOC) committee member Gabby Nero reviews Jean Rhys’ Wide Sargasso Sea for black history month, exploring Rhys empowering depiction of cultural identity
-
Culture editor Ruby Kwartz reviews Bright Places, finding it to be an energetic yet moving production that maintained its fun-spirit, despite some lapses into comedic cringe
-
Culture writer Liza Glushak interviews seasoned comedian Mark Thomas, covering everything from his new show Gaffa Tapes, his perspective on comedy, to social responsibility