-
Culture writer Joel Bishton reviews Arthur Miller's classic play All My Sons, discussing the thematic relevance of the play's revival and praising the effective set
-
Culture writer Atshiga Bonvin reviews La Fille Mal Gardee finding it to be a beautifully crafted production filled with pastels, humour and romance
-
Culture writer Femi Olajugbagbe reviews Hairspray, praising the dazzling set and cast performances but stressing the need for the show's anti-racial themes to be brought to the fore
-
Culture writer Joel Bishton reviews Mark Evans' stage play Bleak Expectations, finding it to be a fast-paced production overflowing with nonsensical comedy
-
Culture writer Aislin Slater reviews A Chorus Line, praising its unique portrayal of the chorus, powerful staging, and Carly Mercedes Dyer’s standout performance as Cassie
-
Culture Writer Makayla Taylor reviews The Mousetrap, praising the dynamic cast performances and effective sound, lighting, and set design
-
Film Editor Rani Jadfa reviews The Anxiety Club: How to Survive Modern Life, praising the authors accessible and reassuring narrative on how to understand anxiety better
-
Culture Editor Elisa Aylmer-Hall reviews 101 Dalmatians The Musical, praising it's powerful performances and skilled dramatic craft
-
Culture writer Fariha Uddin reviews Birmingham NEC's immersive experience, Beyond Van Gogh, evaluating the boundary-breaking insights it provides into the artist's life and work
-
Culture Editor Ilina Jha reviews Samir Chopra's Anxiety: A Philosophical Guide, critiquing the book's limited philosophical scope and lack of new insights
-
Culture Writer Hannah Dalgliesh reviews the Young Rep's production of Wuthering Heights, praising the cast performances in spite of a hit-and-miss script
-
Sci&Tech Editor Georgia Brooks interviews city curator Alex Nicholson-Evans about 100 Days of Creativity and the challenges facing the culture sector