Film Critic Zenna Hussain is disappointed with the predictability of Netflix's latest Christmas romcom, Love Hard

Film Critic Anna Emmerson Robinson praises Eva Husson's Mothering Sunday, arguing that the heart-wrenching watch is a sensitive portrayal of grief and heartbreak

Film Critic Emily Handel reviews Last Night in Soho, finding it an enjoyable watch, but not quite meeting high expectations

TV Editor Josie Scott-Taylor reviews sci-fi epic Dune, exploring whether it should be classed as a white-saviour film

Film Critic Todd Waugh Ambridge reviews No Time To Die, arguing that the final instalment of Daniel Craig's James Bond films offers a satisfying conclusion in spite of the perplexing narrative

Film Critic Mia Lynam praises the performances in Venom, but highlights the problems of its shorter length and the impact this has on character development and pacing

Digital Editor Tamzin Meyer is disappointed with Muppets Haunted Mansion, feeling that it misses the mark as a tribute to the classic Disney film

Print Editor Kitty Grant argues that the constant TikTok references and wooden performances of Netflix's He's All That leaves much to be desired

Film Critic Cerys Gordon praises The Suicide Squad, a witty and enjoyable film that improves on the first entry to the franchise

Amazon Prime's adaptation of classic fairytale Cinderella fails to deliver the promised feminist retelling, resulting in a shallow and tedious story, writes Film Editor Emily Wallace

Digital Editor Tamzin Meyer reviews action-comedy Free Guy, praising its original writing and compelling story

Comment Editor Ffion Hâf takes a look back at Legally Blonde, arguing that it remains an iconic feminist piece 20 years on