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Single Review: Tate McRae – Greedy
Digital Editor Halima Ahad reviews Tate McRae's confident new single 'Greedy'
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Album Review: Royal Blood – Back To The Water Below
Music Critic Simone Salvatore reviews Royal Blood's newest album, finding it to be a strong execution of their style, with effective attempts at evolution.
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Album Review: Sprain – The Lamb as Effigy
Music editor Devin Birse reviews experimental rock act Sprain's new album, finding it to be a masterwork of sonic destruction.
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Redbrick Meets: Squid
Music editors Devin Birse and Oliver Scoggins chat to Anton Pearson of acclaimed experimental rock act Squid to discuss recording their new album, unusual instruments, fond memories of meals in Birmingham and up and coming bands.
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Redbrick Meets: Mae Muller
Music Editor Hannah Gadd sat down with rising pop-star and Eurovision entrant Mae Muller to discuss her long-awaited debut album
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Single Review: Baby Queen – Quarter Life Crisis
Music Editor Hannah Gadd reviews Baby Queen's latest release from her upcoming album, finding it to be perfectly cynical and infectious
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Single Review: FIFTY FIFTY – Cupid Remix ft. Sabrina Carpenter
Digital Editor Halima Ahad reviews FIFTY FIFTY's new single with Sabrina Carpenter, describing it as the song you need to sing along to in your room when thinking about love
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Essential Album: The 1975 – Self Titled
Music Critic Dan Smith revisits The 1975's debut album following its tenth anniversary
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Album Review: Blur – The Ballad of Darren
Print & Features Editor Jess Parker reviews Blur's latest album, praising the band's growth and explaining why it is an instant classic
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Live Review: The Aces
Hannah Gadd reviews The Aces in Birmingham, applauding their stage presence and infectious energy
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Album Review: Hozier – Unreal Unearth
Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.
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Live Review: Jessie Reyez
Sci&Tech Editor Leah Renz reviews Jessie Reyez's performance, praising her energy and her ability to be vulnerable on stage.