Comment Writer Gwydion Elliott argues against the glorification of billionaires, arguing that no billionaire is 'self-made', rather they profit from the exploitation of their workers

Life and Style editor, Emma Davis explores the implications of Molly Mae Hague's appointment as Creative Director of Pretty Little Thing and the issues with failing to appreciate the nuances of celebrating 'girlbosses'

Comment Writer Alex Cooke writes about the recent Tiffany Ad Campaign featuring Beyonce and Jay-Z and revealing a previously unseen Basquiat painting, concluding that it reduces elitism within the art industry

Social Secretary Ella Kipling details the history of Britney Spears' conservatorship and considers whether allowing her to appoint her own lawyer might lead to progress for the Free Britney movement

Comment writer Samar Ahmed explores the continued racial injustice evident in the treatment of Cannabinoid use by White and Black athletes, observing its influence on sport today

Music Editor Sammy Andrews argues that StudyTube content promotes Toxic Productivity, leaving less-privileged students feeling unable to catch up.

Comment writer James Simpson explores how Princess Diana's legacy as The People's Princess continues to influence people's perceptions of the monarchy today

Comment Writer Rhea Phagura highlights the concerning prevalence of cultural appropriation on social media and the impact this has on BAME communities

Comment Writer Kitty Grant takes a look at Nigel Farage's foray into video-sharing platform Cameo, arguing that the move is not as harmless as it may initially appear

Comment Writer Abby Henderson considers Piers Morgan's denial of Meghan Markle's mental health problems, arguing that whilst he insists on a right to free speech, his comments verge on the side of hate speech

Comment Writer Lucy Dodd delves deep into the public's fascination with America's most famous family, arguing that Kim and Kanye will not be able to take a step back from the spotlight during their divorce

Comment Writer Colette Fountain considers the seemingly misogynistic criticism of women within the gaming, music and literary communities, arguing that women cannot enjoy anything without it being belittled