Music Critic Aimee Sargeant describes Pale Waves' new album Who Am I? as the perfect second release which invites listeners into the band's new era

Isles makes for a bliss and balanced record which transports you back to life before lockdown, Music Critic Raphael Kalid writes

Adrenaline, the new EP from You Me At Six, is a mixed bag of highs and lows with a clear peak, Samantha Andrews reviews

Music Critic, Emma Gardner gives her thoughts on Sir Paul's third eponymous album in the experimental, yet interesting trilogy

Taylor Swift's surprise second album of 2020 is an emotional journey and the perfect foil to its sister album folklore, Music Critic Sammy Andrews writes

Taking a look at The White Stripes' first and only greatest hits release, Music Writer Emma Walker provides a run through the duo's iconic discography and rates the compilation

Rico Nasty's debut album largely lives up to the hype and shows the promise of an artist on the rise Music Critic Ben Forsdick argues

Megan Thee Stallion's debut album is a fun yet underwhelming effort as the artist fails to diversify her style and stand out from the crowd Music Critic Sharlz Peters writes

Music Critic Ben Forsdick is disappointed with the new album from Bad Bunny due to its lack of versatility, but predicts better things to come

Music Critic Cameron Milner commends the celebratory spirit in the new live album from Bombay Bicycle Club, which will partly reunite fans with live music

Miley Cyrus has turned a corner musically, finding a rock-pop niche that she seems happy and comfortable in after her plethora of musical exploration, Music Critic Minnie Life writes

The prolific King Gizzard and The Lizard Wizard are back with a new album which is underwhelming despite some exceptional and impressive moments Music Critic Ben Forsdick argues