Music Critic Minnie Life describes the remix of Rebecca Black's 'Friday' as a hyperpop reimagining that signals an exciting new direction for the artist

Music Critic Ben Forsdick reviews Komfort Food, a tribute album to late rapper J Dilla, which is an enjoyable and creative record

Music Critic Jemma Cuthbert reviews Jeremy Zucker and Chelsea Cutler's latest release which combines a lo-fi soundscape with emotionally vulnerable lyrics

Travel Editor Catrin Jackson reviews the Cassia single Don't Make a Scene, stating that it is just the kind of summer anthem she was hoping for

Whilst it may have a few lulls in energy, DMA'S new live album, Live at Brixton, is a successful and welcome reminder of live music, Music Critic Sammy Andrews writes

Music Critic Aimee Sargeant discusses five songs that have had an influence on her and have become a soundtrack to her life

Fed up of love songs? Music Critic Sarah Mawson makes the case for anti-love songs, the songs which detail the different stages of heartbreak and heartache, arguably in a more artistic way than their counterparts

Music Critic Dylan Ferner-Rose reviews Slowthai's anti-establishment classic that despite only being out for a short time has earnt the title of being an essential album

Music Critic Aimee Sargeant runs down the smash-hit compilation from The Weeknd following their icon affirming Super Bowl half-time performance

Music Critic Cameron Milner is disappointed by Foo Fighters' 10th LP, Medicine at Midnight, describing it as frequently average and rarely excellent

Music Critic Ben Forsdick is pleasantly surprised by the new album from Weezer, OK Human, describing it as a breath of fresh air

Music Critic Julia Van Egmond review Ben Howard's latest single which sees Howard explore new types of storytelling underlined by his familiar guitar tones